Before I begin, I'm going to acknowledge that it's one thing to blog about a dream I had--sure, that's gross enough. It's another to blog about a tweet I wrote while I was dreaming, but that's exactly what I'm about to do. Biz Stone, honey, congratulations. You win.
I've been catching a lot of messages in the media and in more personal communications about why Twitter is--or isn't--the hot new thing. And I guess last night, while I was trying in vain to turn off my brain before going to sleep, I remembered a very unfortunate glimpse I caught of Barbara Walters entering another of her curmudgeonly rants on The View about how she despises the very idea of a medium in which just anyone is encouraged to say just anything. As I lay in bed, I decided there was only one thing that could annoy me more than The View or Barbara Walters. And that's Barbara Walters on Twitter.
Taking what comfort I could from knowing that Barbara Walters will never Twitter, I fell asleep, only to dream that I was a Hollywood movie lackey charged with the task of writing the tag line and some promotional copy for the upcoming thriller, The Curse of the Lesbian Vampire Killers. Deciding to try out some of my first drafts on the Twitterverse, I opened a browser and typed:
"The Curse says there will be blood. About every 28 days. "
The dream didn't last long enough for me to realize the results of my little focus group, and I don't know if this says anything about the validity of social media or not, but I do know one thing: If anyone ever asks me if I Twitter, I can free my tongue from my cheek when I reply, "Twitter? Oh, I do that in my sleep."
Showing posts with label Internet. Show all posts
Showing posts with label Internet. Show all posts
Tuesday, March 31, 2009
Friday, April 11, 2008
Why Google is King, Plus a Suggestion
In furtherance of failing to post any original thoughts of my own, I'm going to tell you about my friend Dawn, who managed to recently do two things:
1. Join the new millennium and switch her email provider from Excite (which, by the way, refused to deliver any of my mail to her, each and every time); and,
2. Explain in plain terms why Google is the genius giant it has become.
Note that Dawn is a lot of things, but she's not an information age guru. She's not a tech biz junkie, nor is she electronically inclined. In fact, she doesn't own a TV. She's a wife, a dog and horse person, a Pushcart Prize nominee, and a damned good writer. She's terrible at keeping in touch for the most part, but when she does, it's always a learning experience. Take, for example, the email she sent me yesterday, in which she demonstrated point #2 from above, and which is posted totally without any kind of permission whatsoever:
"My new email is through google, and it seems to know what's best for me when it comes to picking out sidebar advertising depending on with whom I am corresponding, and about what. For some reason, whatever we are talking about makes it think of 'Guitar Lessons in Boulder' and 'Find a Therapist.' Hmm. There is a niche job for me right there. If I could only play guitar and or give advice."
Google, if you're listening--and I know you are--there's some gold there in that last sentence. What if, while you were pushing targeted ads, you could also provide some sort of career/life coaching to go with them? I know it seems like a long shot, but you were too once. Take that idea for free; after all, you're the Big Brother I never had.
1. Join the new millennium and switch her email provider from Excite (which, by the way, refused to deliver any of my mail to her, each and every time); and,
2. Explain in plain terms why Google is the genius giant it has become.
Note that Dawn is a lot of things, but she's not an information age guru. She's not a tech biz junkie, nor is she electronically inclined. In fact, she doesn't own a TV. She's a wife, a dog and horse person, a Pushcart Prize nominee, and a damned good writer. She's terrible at keeping in touch for the most part, but when she does, it's always a learning experience. Take, for example, the email she sent me yesterday, in which she demonstrated point #2 from above, and which is posted totally without any kind of permission whatsoever:
"My new email is through google, and it seems to know what's best for me when it comes to picking out sidebar advertising depending on with whom I am corresponding, and about what. For some reason, whatever we are talking about makes it think of 'Guitar Lessons in Boulder' and 'Find a Therapist.' Hmm. There is a niche job for me right there. If I could only play guitar and or give advice."
Google, if you're listening--and I know you are--there's some gold there in that last sentence. What if, while you were pushing targeted ads, you could also provide some sort of career/life coaching to go with them? I know it seems like a long shot, but you were too once. Take that idea for free; after all, you're the Big Brother I never had.
Tuesday, January 29, 2008
Patry Francis. Period, or, P.F. I Love You
Last year I signed up for a six-month long master essay/memoir workshop at Denver’s only independent writing school, the kick-assish Lighthouse Writers Workshop. I laid down my good money and my essays for people I hardly knew so that they could tell me what they thought, and in turn I would tell them what I thought about their work. We squirm and giggle before each class, and make disclaimers before having our pieces read and critiqued. We apologize in advance for what we are about to submit. “It’s really rough,” we say, or, “For those about to read this piece of crap, I salute you.”
We turn in our stuff, dead trees be damned and wait for the slings and arrows, and of course, my classmates are not hiding in the bushes the next day to napalm me on my way to the car. Nor am I filling their gas tanks with sugar and figuring out how to do them bodily harm with their own manuscripts. We are nice and tender and supportive while being honest and helpful; the way I’d like to be treated with my craft and calling, yes, but it’s also the way I’d like to be treated in general.
It’s no worse than a lot of other vocations, but it’s a hard gig, this writing thing, and without role models, without community, it’s too easy to be too hard on one’s self. I made the mistake of trying to work in a vacuum for several years, and because I’m me, tried taking inspiration from the suite of quality programming at VH1. I would spend my lunch hour watching Beyonce Revealed, or The Fabulous Life of Christina Aguilera, or Behind the Music, shows that weren't helping me develop any sort of skill, but that started me on the important tack of thinking that success in the arts is possible. Period. The problem with these shows is that, while they do mention the struggles and sacrifices these stars-to-be had to make to further their careers and empires, it’s easy to overlook them. What we don’t see and can’t see in these glossy shows are the real doubts, the hurdles, and backbreaking, soul-breaking setbacks that artists must endure to bring their works to light. What we don’t get is the journey vs. destination philosophy. We get a lot of imagery, but none of it has anything to do with real heroism. Well, duh. What did I expect?
Once I’d drawn the conclusion that one can only spend so much time with VH1’s reality shows without risking brain injury, I imagined other heroes of the journey. Every time I pushed myself away from the desk and said, “This is too hard,” I would remind myself of Jane Austen, who had to use a well of ink and a quill by candlelight for god’s sake to do her writing, which was frowned upon in the first place, since she was shirking her other womanly duties like using her spindle and loom or something. But eventually I decided relying on Austin was lame, too, because to be honest, I don’t really identify with someone whose work I haven’t read since high school, and even then I was only pretending to read it. As long as I’m telling the whole truth, I should also say that the things I know about her are only secondhand; they’re bits and pieces of facts I’ve heard my well-read friends mention, and I’m probably making up a fair bit of it to fill in the gaps.
But forget all that, because today it’s with great relief that there’s a new hero in town, and her name is Patry Francis. She’s the author of the just-released novel, Liar's Diary. **UPDATE** Penguin Group, publisher of THE LIAR'S DIARY is offering a 15% discount if you order direct from them. To receive the discount, type PATRY in the code field.
To use the lovely and talented Susan Henderson’s words from LitPark (with permission), here’s why:
“What if you worked for years as a waitress and then went home at the end of the day to your husband and four kids, and in those rare minutes of free time, you dared to dream that one day you might write a book? This is the story of my friend, Patry - a story that leaves out years of false starts, revisions, and rejection slips. It's a story that writers know intimately, though the details are different. Every one of us is well acquainted with the struggle of getting a story on paper, of honing it and believing in it enough to send it out, only to receive rejection, or worse, silence for our efforts.
Imagine, after many years, you beat the odds. You finish that book. You find that agent who sells your manuscript. Your dream is about to become a reality. But just as your book is due to be released, you discover you have an aggressive form of cancer.
Patry's story struck such a deep chord with many of us, not just because she is our friend, but because those of us who know her or read her blog have relied on her company through the ups and mostly downs of trying to write and sell a book. She is our buoy. She has shown us time and again her great gift for shedding light in the dark. Even her blog post about her cancer showed this - in her greatest time of need, she was still somehow comforting all of us and showing us glimpses of joy. Patry is part one of this amazing story.”
What happened after that is like one of those holiday movies about giving and love that you can’t help but watch again and again, despite the corniness and what your cold-hearted husband might say. (As if he doesn’t cry like a baby during every episode of Little House on the Prairie ever taped.) Uh-hem. On New Year's Day, or thereabouts, author maven Laura Benedict wrote to author maven Susan Henderson, calling her attention to Patry's publication date. "Perhaps we could do a 'Patry Francis/Liar's Diary' blog-o-rama or carnival or something to promote the book?" she wrote. "I'm such an amateur at this stuff that I don't know what's possible."
Susan didn't give a moment's thought to what we might try to pull off, or how; Susan simply said, "Yes! Let's do it!"
Susan writes:
“In less than one month, over 300 bloggers, writers, readers, and just big-hearted people signed on to take part in this day. I am overwhelmed and grateful for every single person who said yes or helped spread the word, but let me reserve some enormous thanks for the people who traded hundreds of emails with me to put this together: Karen Dionne of Backspace, Jessica Keener of Agni and The Boston Globe, Dan Conaway of Writers House, and Alice Tasman of the Jean Naggar Literary Agency.
What began as a personal gesture of caring for a friend became an astonishing show of community - writers helping writers; strangers helping strangers; and most surprising of all, editors, agents and publishers, who have no stake in this book, crossing "party lines" to blog, to make phone calls, and to send out press releases.
This effort has made visible a community that is, and has been, alive and kicking - a community that understands the struggle artists go through and rejoices in each other's successes. It's a community made up of many small voices, but - guess what? - those many small voices can create some noise. So while today is for Patry, it's also a symbolic gesture for all of you who work so very hard for little or no recognition, for all of you who keep going despite the rejections, and for all of you who have had illness or other outside factors force your art or your dreams aside. We are in this together.”
So Patry Francis, when I’m struggling or fighting with myself or isolating myself from what’s wonderful and right, I will think of you—and Laura, and Susan, and all the other friends I’ve met along the way. I salute you. And as my three-year-old likes to say, “Love you, mean it.”
We turn in our stuff, dead trees be damned and wait for the slings and arrows, and of course, my classmates are not hiding in the bushes the next day to napalm me on my way to the car. Nor am I filling their gas tanks with sugar and figuring out how to do them bodily harm with their own manuscripts. We are nice and tender and supportive while being honest and helpful; the way I’d like to be treated with my craft and calling, yes, but it’s also the way I’d like to be treated in general.
It’s no worse than a lot of other vocations, but it’s a hard gig, this writing thing, and without role models, without community, it’s too easy to be too hard on one’s self. I made the mistake of trying to work in a vacuum for several years, and because I’m me, tried taking inspiration from the suite of quality programming at VH1. I would spend my lunch hour watching Beyonce Revealed, or The Fabulous Life of Christina Aguilera, or Behind the Music, shows that weren't helping me develop any sort of skill, but that started me on the important tack of thinking that success in the arts is possible. Period. The problem with these shows is that, while they do mention the struggles and sacrifices these stars-to-be had to make to further their careers and empires, it’s easy to overlook them. What we don’t see and can’t see in these glossy shows are the real doubts, the hurdles, and backbreaking, soul-breaking setbacks that artists must endure to bring their works to light. What we don’t get is the journey vs. destination philosophy. We get a lot of imagery, but none of it has anything to do with real heroism. Well, duh. What did I expect?
Once I’d drawn the conclusion that one can only spend so much time with VH1’s reality shows without risking brain injury, I imagined other heroes of the journey. Every time I pushed myself away from the desk and said, “This is too hard,” I would remind myself of Jane Austen, who had to use a well of ink and a quill by candlelight for god’s sake to do her writing, which was frowned upon in the first place, since she was shirking her other womanly duties like using her spindle and loom or something. But eventually I decided relying on Austin was lame, too, because to be honest, I don’t really identify with someone whose work I haven’t read since high school, and even then I was only pretending to read it. As long as I’m telling the whole truth, I should also say that the things I know about her are only secondhand; they’re bits and pieces of facts I’ve heard my well-read friends mention, and I’m probably making up a fair bit of it to fill in the gaps.
But forget all that, because today it’s with great relief that there’s a new hero in town, and her name is Patry Francis. She’s the author of the just-released novel, Liar's Diary. **UPDATE** Penguin Group, publisher of THE LIAR'S DIARY is offering a 15% discount if you order direct from them. To receive the discount, type PATRY in the code field.
To use the lovely and talented Susan Henderson’s words from LitPark (with permission), here’s why:
“What if you worked for years as a waitress and then went home at the end of the day to your husband and four kids, and in those rare minutes of free time, you dared to dream that one day you might write a book? This is the story of my friend, Patry - a story that leaves out years of false starts, revisions, and rejection slips. It's a story that writers know intimately, though the details are different. Every one of us is well acquainted with the struggle of getting a story on paper, of honing it and believing in it enough to send it out, only to receive rejection, or worse, silence for our efforts.
Imagine, after many years, you beat the odds. You finish that book. You find that agent who sells your manuscript. Your dream is about to become a reality. But just as your book is due to be released, you discover you have an aggressive form of cancer.
Patry's story struck such a deep chord with many of us, not just because she is our friend, but because those of us who know her or read her blog have relied on her company through the ups and mostly downs of trying to write and sell a book. She is our buoy. She has shown us time and again her great gift for shedding light in the dark. Even her blog post about her cancer showed this - in her greatest time of need, she was still somehow comforting all of us and showing us glimpses of joy. Patry is part one of this amazing story.”
What happened after that is like one of those holiday movies about giving and love that you can’t help but watch again and again, despite the corniness and what your cold-hearted husband might say. (As if he doesn’t cry like a baby during every episode of Little House on the Prairie ever taped.) Uh-hem. On New Year's Day, or thereabouts, author maven Laura Benedict wrote to author maven Susan Henderson, calling her attention to Patry's publication date. "Perhaps we could do a 'Patry Francis/Liar's Diary' blog-o-rama or carnival or something to promote the book?" she wrote. "I'm such an amateur at this stuff that I don't know what's possible."
Susan didn't give a moment's thought to what we might try to pull off, or how; Susan simply said, "Yes! Let's do it!"
Susan writes:
“In less than one month, over 300 bloggers, writers, readers, and just big-hearted people signed on to take part in this day. I am overwhelmed and grateful for every single person who said yes or helped spread the word, but let me reserve some enormous thanks for the people who traded hundreds of emails with me to put this together: Karen Dionne of Backspace, Jessica Keener of Agni and The Boston Globe, Dan Conaway of Writers House, and Alice Tasman of the Jean Naggar Literary Agency.
What began as a personal gesture of caring for a friend became an astonishing show of community - writers helping writers; strangers helping strangers; and most surprising of all, editors, agents and publishers, who have no stake in this book, crossing "party lines" to blog, to make phone calls, and to send out press releases.
This effort has made visible a community that is, and has been, alive and kicking - a community that understands the struggle artists go through and rejoices in each other's successes. It's a community made up of many small voices, but - guess what? - those many small voices can create some noise. So while today is for Patry, it's also a symbolic gesture for all of you who work so very hard for little or no recognition, for all of you who keep going despite the rejections, and for all of you who have had illness or other outside factors force your art or your dreams aside. We are in this together.”
So Patry Francis, when I’m struggling or fighting with myself or isolating myself from what’s wonderful and right, I will think of you—and Laura, and Susan, and all the other friends I’ve met along the way. I salute you. And as my three-year-old likes to say, “Love you, mean it.”
Wednesday, November 7, 2007
Grossing Out, Twice Removed
I wish I had a dime for every time Alex has asked me to drop whatever I’m doing so that he can show me some random dude’s film of some other dude skateboarding off his roof, or chugging a beer in record time and then burping the 1812 Overture. He watches them on the Internet of course, at a site that is the equivalent of YouTube’s younger brother; the littler one with chew stuck in his teeth. The stuff is, in general, a little ruder, harder, and delves right into the dark, so that after you watch the guy skateboard off his roof, you can also get a close up of his naked femur after he breaks his leg in half. Probably not coincidentally, the site’s name is Break.com. I have bowed only twice to watching a few choice offerings there, and both times, showered afterward.
I love mindless media, just ask the people at VH1 who are happy to deliver the Celebreality tripe I consistently clamor for in 55 gallon drums; it’s not that. It’s that Break is the Web site equivalent of the guy who drives a car with a “No fat chicks” bumper sticker on it, with his Jerky Boys tape turned up to 11. And I realize that, not only am I not hurting his feelings with these observations, I’m probably just encouraging him. So be it.
Despite my outward criticisms of such media, I don’t begrudge Alex his enjoyment of it, as long as I don’t have to drop whatever I’m doing to watch it myself, or hear about it over the phone while I’m trying to work. (I have to wonder what else he does at work.) For a few weeks running now, Alex explained to me, there’s been one video making the rounds more than any other, generating a buzz that was hard for Internet video-watching America to ignore. It was called, ominously, Two Girls, One Cup, a video that the vox populi touted as unwatchable. Not being one to ignore a gauntlet, no matter how juvenile, no matter how “betcha can’t” or “double dog dare,” Alex bucked up, gave it his all, and “was only able to make it eight seconds,” he told me, dialing up each of his friends to initiate a long-distance game of “betcha can’t” tag.
As I wondered how all of these men make incomes that are triple my own, one friend was only able to make it five seconds, with another, grittier guy just barely making it all the way through. Another friend had to stop watching it after ten seconds, and even after turning away from the picture, was unable to listen to it. “I don’t understand,” I said, unable to even guess at what would make these grown men—these ungross-outable men—so grossed out. “Is it snuff?” I asked, reaching for the most terrible genre I could think of.
“No, it’s poop,” I saw Alex wince. “And puke.”
A movie with poop in it that’s sweeping the nation. It’s these kinds of phenomena that make me wonder why I’m not a millionaire yet.
I won’t narrate the plot here; you can read about it yourself, literally ad nauseum, just by Googling the title. But the notes on the story line are these: Nude or nude-ish girl meets girl. Girl and girl meet all manners of the most rude and foul activities that one can perform with the body’s humors.
Right, so that’s all fine. I get it. I’m the girl who almost vomited during both Jackass I and II, not because of some of the more nauseating stunts, but because I laughed so hard during them. (I’m thinking specifically of one gag—no pun intended—in particular, entitled “Fart Mask.”) And I’m still not watching Two Girls, One Cup, all high-pressure tactics notwithstanding. I’m no sensor, no puritan. I’m not taking a stand, I’m making a choice, and it’s to think more about puppy dogs and Skittles than about two girls, one cup, and the interesting-but-not-that-interesting motives behind the camera. Maybe you’ll choose the same, or maybe you’ll let the curiosity get the better of you, pussy cat. No harm, no foul. Just count me in for hayrides and show tunes, and out for witnessing women take the Pepsi challenge with a cornucopia of each others’ body fluids.
Oh, and by the way, our friend Jeff has seen the whole thing five times now, the best part about that being that it’s so fun to watch him watching it that he threw an ad hoc viewing party in which he sat facing his computer monitor and his guests sat facing him. Who knew such a thing could be so entertaining? As it turns out: the Internet knew. They know everything.
Now, not only can you watch Two Girls, One Cup, (or not watch it, as the case may be) you can watch videos of people watching Two Girls, One Cup. A cottage industry!
So I told Alex that, as a consolation prize for my refusal to answer the call to jump off the bridge like everyone else, I would gladly appear on-camera, as a person watching a person watching Two Girls, One Cup. I’m such an innovator. Mom will be so proud.
I love mindless media, just ask the people at VH1 who are happy to deliver the Celebreality tripe I consistently clamor for in 55 gallon drums; it’s not that. It’s that Break is the Web site equivalent of the guy who drives a car with a “No fat chicks” bumper sticker on it, with his Jerky Boys tape turned up to 11. And I realize that, not only am I not hurting his feelings with these observations, I’m probably just encouraging him. So be it.
Despite my outward criticisms of such media, I don’t begrudge Alex his enjoyment of it, as long as I don’t have to drop whatever I’m doing to watch it myself, or hear about it over the phone while I’m trying to work. (I have to wonder what else he does at work.) For a few weeks running now, Alex explained to me, there’s been one video making the rounds more than any other, generating a buzz that was hard for Internet video-watching America to ignore. It was called, ominously, Two Girls, One Cup, a video that the vox populi touted as unwatchable. Not being one to ignore a gauntlet, no matter how juvenile, no matter how “betcha can’t” or “double dog dare,” Alex bucked up, gave it his all, and “was only able to make it eight seconds,” he told me, dialing up each of his friends to initiate a long-distance game of “betcha can’t” tag.
As I wondered how all of these men make incomes that are triple my own, one friend was only able to make it five seconds, with another, grittier guy just barely making it all the way through. Another friend had to stop watching it after ten seconds, and even after turning away from the picture, was unable to listen to it. “I don’t understand,” I said, unable to even guess at what would make these grown men—these ungross-outable men—so grossed out. “Is it snuff?” I asked, reaching for the most terrible genre I could think of.
“No, it’s poop,” I saw Alex wince. “And puke.”
A movie with poop in it that’s sweeping the nation. It’s these kinds of phenomena that make me wonder why I’m not a millionaire yet.
I won’t narrate the plot here; you can read about it yourself, literally ad nauseum, just by Googling the title. But the notes on the story line are these: Nude or nude-ish girl meets girl. Girl and girl meet all manners of the most rude and foul activities that one can perform with the body’s humors.
Right, so that’s all fine. I get it. I’m the girl who almost vomited during both Jackass I and II, not because of some of the more nauseating stunts, but because I laughed so hard during them. (I’m thinking specifically of one gag—no pun intended—in particular, entitled “Fart Mask.”) And I’m still not watching Two Girls, One Cup, all high-pressure tactics notwithstanding. I’m no sensor, no puritan. I’m not taking a stand, I’m making a choice, and it’s to think more about puppy dogs and Skittles than about two girls, one cup, and the interesting-but-not-that-interesting motives behind the camera. Maybe you’ll choose the same, or maybe you’ll let the curiosity get the better of you, pussy cat. No harm, no foul. Just count me in for hayrides and show tunes, and out for witnessing women take the Pepsi challenge with a cornucopia of each others’ body fluids.
Oh, and by the way, our friend Jeff has seen the whole thing five times now, the best part about that being that it’s so fun to watch him watching it that he threw an ad hoc viewing party in which he sat facing his computer monitor and his guests sat facing him. Who knew such a thing could be so entertaining? As it turns out: the Internet knew. They know everything.
Now, not only can you watch Two Girls, One Cup, (or not watch it, as the case may be) you can watch videos of people watching Two Girls, One Cup. A cottage industry!
So I told Alex that, as a consolation prize for my refusal to answer the call to jump off the bridge like everyone else, I would gladly appear on-camera, as a person watching a person watching Two Girls, One Cup. I’m such an innovator. Mom will be so proud.
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